![Sonu Nigam feels AR Rahman ‘wouldn’t call himself a great singer'; praises him for his ability to stay in sur](https://webseriescycle.com/wp-content/uploads/2025/01/20250110062604_rahmansonu-nigam-1024x576.avif)
Sonu Nigam feels AR Rahman ‘wouldn’t call himself a great singer'; praises him for his ability to stay in sur
Sonu Nigam feels AR Rahman : In a recent interview, renowned Indian singer Sonu Nigam shared his thoughts on the legendary composer A.R. Rahman, highlighting the unique qualities that set him apart from other musicians in the industry. This discussion not only sheds light on Rahman’s musical prowess but also delves into the contrasting working styles of two prominent composers: A.R. Rahman and Pritam.
Sonu Nigam feels AR Rahman The Context of the Discussion
Sonu Nigam, known for his melodious voice and significant contributions to Bollywood music, has worked with both A.R. Rahman and Pritam throughout his career. In his conversation with O2 India, he reflected on the differences in their approaches to music composition, which led to a memorable incident involving Pritam.
A.R. Rahman’s Unique Style
![A.R. Rahman's Unique Style](https://webseriescycle.com/wp-content/uploads/2025/01/rahmanaug21.jpg)
Sonu praised A.R. Rahman for his ability to create a relaxed and liberating environment for singers. He emphasized that Rahman gives artists “complete liberty” during recording sessions, allowing them to express themselves freely without feeling pressured. This approach fosters creativity and encourages singers to deliver their best performances.Sonu recalled his experiences working with Rahman on iconic films like Taal and Dil Se. He noted that Rahman’s laid-back demeanor and minimal interference make the recording process enjoyable and stress-free. As Sonu put it, “You don’t feel like you are singing in a high-pressure environment.” This quality of Rahman is something that many artists appreciate, as it allows them to focus on their craft without distractions.
The Contrast with Pritam
In contrast to Rahman’s style, Sonu described Pritam as someone who is deeply involved in the details of music production. He pointed out that Pritam tends to get into the “nitty-gritty” of the songs, which can sometimes lead to a more intense working atmosphere. While Sonu acknowledged that Pritam’s meticulousness is not inherently wrong, he felt that it was a different approach compared to Rahman’s.During their early collaboration on the film Tere Liye, Sonu found himself in a situation where he felt compelled to comment on this difference. He recalled telling Pritam, “You are just the opposite of A.R. Rahman.” This comparison did not sit well with Pritam at the time, leading him to feel offended by Sonu’s remarks.
The Incident
The incident highlights how personal dynamics can play a role in creative environments. Sonu’s intention was not to undermine Pritam’s talent but rather to express his experience of working with two different musical philosophies. However, it serves as a reminder of how sensitive artists can be about their craft and how comparisons can sometimes lead to misunderstandings.Sonu clarified that he respects both composers for their unique contributions to music. He stated, “Everyone has their own style,” acknowledging that both Rahman and Pritam have achieved remarkable success in their careers.
The Impact of Their Styles
The contrasting styles of A.R. Rahman and Pritam reflect broader themes in the music industry regarding creativity and collaboration. While some artists thrive in environments where they have complete freedom, others may prefer more guidance and structure during the creative process.This discussion also emphasizes the importance of understanding individual preferences in collaborative settings. Musicians often have different needs when it comes to working with producers or composers, and recognizing these differences can lead to more productive and harmonious collaborations.
Conclusion
Sonu Nigam’s reflections on A.R. Rahman and Pritam provide valuable insights into the world of music composition in Bollywood. His praise for Rahman’s ability to create a relaxed atmosphere contrasts sharply with his observations about Pritam’s detail-oriented approach. Both composers have made significant contributions to Indian music, each bringing their unique strengths to the table.As the industry continues to evolve, discussions like these remind us of the diverse approaches artists take in their creative processes. Understanding these differences not only enhances collaboration but also enriches the musical landscape as a whole. Ultimately, both A.R. Rahman and Pritam have left an indelible mark on Bollywood music, showcasing the beauty of varied artistic expressions within this vibrant industry.
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